TREND MARRIAGE IS SCARY PADA GENERASI Z ERA MODERN PERSPEKTIF HUKUM ISLAM (Studi Pada Kota Bandar Lampung)

SRI, JATI RATNA SARI (2025) TREND MARRIAGE IS SCARY PADA GENERASI Z ERA MODERN PERSPEKTIF HUKUM ISLAM (Studi Pada Kota Bandar Lampung). Masters thesis, UIN RADEN INTAN LAMPUNG.

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Abstract

ABSTRAK Fenomena “Marriage is Scary” atau ketakutan terhadap pernikahan semakin terlihat nyata di kalangan Generasi Z di era modern. Penelitian ini dilatarbelakangi oleh munculnya gejala sosial berupa keraguan, ketakutan, dan pandangan negatif terhadap institusi pernikahan. Berdasarkan latar belakang tersebut, rumusan masalah dalam penelitian ini meliputi: (1) bagaimana dampak trend marriage is scary pada generasi z serta akibatnya di Kota Bandar Lampung; (2) bagaimana analisis saddu az-zarī‘ah melihat trend marriage is scary era modern di Kota Bandar Lampung. Penelitian ini bertujuan untuk mengetahui dampak trend marriage is scary pada generasi z serta akibatnya di Kota Bandar Lampung, dan untuk menganalisa analisis saddu az-zarī‘ah melihat trend marriage is scary era modern di Kota Bandar Lampung. Metode yang digunakan adalah pendekatan campuran (mixed methods) deskriptif dengan penelitian lapangan (field research). Teknik pengumpulan data meliputi observasi, kuisioner, dokumentasi, dan penyebaran angket melalui Google Form. Jumlah responden sebanyak 300 orang, dengan sampel sebesar 25% atau 75 responden sebagai data utama. Hasil penelitian menunjukkan bahwa Pengaruh Tren Marriage Is Scary terhadap Generasi Z serta Akibatnya di Kota Bandar Lampung Mayoritas Generasi Z di Kota Bandar Lampung, khususnya di Tanjung Karang Pusat, Enggal, dan Tanjung Karang Timur, mengetahui tren Marriage Is Scary, yang banyak tersebar melalui media sosial. Terdapat dualisme sikap: sebagian merasa takut terhadap pernikahan karena tekanan ekonomi, trauma lingkungan, dan gaya hidup bebas, sementara sebagian lainnya tetap menganggap pernikahan penting. Meski terpengaruh oleh tren, mayoritas responden tetap meyakini bahwa pernikahan bisa membawa kebahagiaan jika dipersiapkan secara matang, baik mental, emosional, finansial, maupun spiritual. Sedangkan dalam perspektif Saddu az-Zarī‘ah terhadap Tren marriage is scary ini mencerminkan sikap kehati hatian untuk menutup jalan menghindari kemudharatan pernikahan yang tidak siap, seperti kdrt atau perceraian pernikahan yang tidak siap, seperti KDRT atau perceraian. Hal ini sesuai dengan prinsip Saddu az-Zarī‘ah. Namun, sikap tersebut perlu diimbangi dengan edukasi dan pembinaan agar tidak berkembang menjadi ketakutan berlebihan. Peran keluarga, pendidikan, dan tokoh agama penting dalam membentuk pemahaman positif dan kesiapan menuju pernikahan yang sehat dan bertanggung jawab. Kata Kunci: Marriage is Scary, Psikoanalisis Freud ,Saddu az-Zarī‘ah vii ABSTRACT The phenomenon of “Marriage is Scary” or fear of marriage is becoming more visible among Generation Z in the modern era. This research is motivated by the emergence of social symptoms such as doubt, fear, and negative views toward the institution of marriage. Based on this background, the research questions in this study include: (1) how the trend “marriage is scary” impact Generation Z and its impacts in Bandar Lampung City, and (2) how the analysis of Saddu az-Zarī‘ah views the “marriage is scary” trend in the modern era in Bandar Lampung City. The purpose of this study is to identify the impact of the “marriage is scary” trend on Generation Z and its consequences in Bandar Lampung City and to analyze the Saddu az-Zarī‘ah perspective on the trend in the city's modern context. This study uses a mixed methods-descriptive method with a field research approach. Data collection techniques include observation, questionnaires, documentation, and distributing online surveys through Google Forms. The number of respondents was 300, with a sample of 25% or 75 respondents used as the main data. The results show that the influence of the “Marriage Is Scary” trend on Generation Z in Bandar Lampung City is significant. Most members of Generation Z in areas such as Tanjung Karang Pusat, Enggal, and Tanjung Karang Timur are aware of this trend, which is widely spread through social media. There is a dual attitude: some feel afraid of marriage due to financial pressure, environmental trauma, and a free lifestyle, while others still consider marriage important. Although influenced by the trend, the majority of respondents still believe that marriage can bring happiness if it is well-prepared in terms of mental, emotional, financial, and spiritual readiness. From the Saddu az-Zarī‘ah perspective, the “Marriage is Scary” trend reflects a cautious attitude to avoid the harms of unprepared marriages, such as domestic violence or divorce. This aligns with the principle of Saddu az-Zarī‘ah. However, this cautious attitude must be balanced with education and guidance so that it does not grow into excessive fear. The role of families, education, and religious leaders is important in shaping positive understanding and readiness for a healthy and responsible marriage. Keywords: Marriage is Scary, Freud's Psychoanalysis, Saddu az-Zarī‘ah viii ix ٌ صَّخَل ُ م َ خلا ِ ر خصَ عخلا ِفِ خ دِ ز ِلي ِ ج َخيَْ ب ا ً حوُضُ و َ رَ ثخكَأ ختَ حَ ب خصَأ ِجا َ وَّزلا َ نِ م ِ فخ وَ خلْا ِوَأ " ٌفي ِ ُ مُ ِجا َ وَّزلا" ُة َ ر ِ هاَظ . ِ ثي ِ د لا ِ ة َ رخظَّنلا َ و ِ فخ وَ خلْا َ و ِ كَّشلا ِفِ ُ لَّث َ مَ تَ ت ٍ ةَّ ي ِ عا َ مِ ت خ جِ ا َ ر ِ ها َ وَظ ِ رو ُ هُظ َلَِ إ ُثخ حَ بخلا اَذَ ه ُ دِ ن َ ت خ سَ ي ِجا َ وَّزلا ِ ة َ سَّسَ ؤ ُ م َ ها َ ُتُ ِ ةَّ يِ بخلَّس . ِ ثخ حَ بخلا اَذٰه ِفِ ِ ةَ ل ِكخش ُ مخلا ُ ةَغا َ ي ِص ُ ل َ مخشَ ت ، ِ ةَّ ي ِ فخل َ خلْا ِ ه ِ ذٰه َلَِ إ ا ً دا َ ن ِ ت خ سِ ا : (1) " ٌفي ِ ُ مُ ِجا َ وَّزلا" ُ ها َ ِ تُِ ا ُ ر ِ ث َ ؤ ُ ي َفخ يَك ِلي ِ خلْا ىَ ل َ ع َ دخ ن َ ب ِ ةَ ني ِ د َ م ِفِ ُ ه ُ ب ِ قا َ وَ ع َ يِ ه ا َ م َ و خ دِ ز ؛غخ ن خ و ُ ب خ م َلَ خ ر (2 ) ِ ثي ِ د َ خلا ِ ر خصَ عخلا ِفِ " ٌفي ِ ُ مُ ِجا َ وَّزلا" َ ها َ ِ تُِ ا ِعِ ئا َ رَّذلا ُّد َ س ُ لِ ل َُ يُ َفخ يَك غخ ن خ و ُ ب خ م َلَ خ رَ دخ ن َ ب ِ ةَ ني ِ د َ م ِفِ . ِفِ ِ هِ ب ِ قا َ وَ ع َ و خ دِ ز ِلي ِ خلْا ىَ ل َ ع " ٌفي ِ ُ مُ ِجا َ وَّزلا" ِ ها َ ِ تُِ ا ِيرِ ثخ َ تَ ِ ةَ فِ ر خ ع َ م َلَِ إ ُ ة َ سا َ ر ِ دلا ِ ه ِ ذٰه ُفِ دخَتَ ،غخ ن خ و ُ ب خ م َلَ خ رَ دخ ن َ ب ِ ةَ ني ِ د َ م خصَ عخلا ِفِ " ٌفي ِ ُ مُ ِجا َ وَّزلا" ِ ها َ ِ تُِ ا ِ ة َ ي خ ؤ ُ ر ِ ل ِعِ ئا َ رَّذلا ِ د َ س ِلي ِ ل خ َتَ ِلي ِ ل خ حَ ت ِ ل َ و غخ ن خ و ُ ب خ م َلَ خ رَ دخ ن َ ب ِ ةَ ني ِ د َ م ِفِ ِ ثي ِ د َ خلا ِ ر . ُ ةَ قيِ رَّطلا خلا ِعخَ جَ ِ تا َ ي ِ نخ ق ِ ت ُ ل َ مخشَ ت .)ٌّ ِنا َ د خ ي َ م ٌثخَبَ( ٍ ِنا َ د خ ي َ م ٍجخَنَ َ ع َ م ٌ ةَّ ي ِ ع خ وَ ن ٌ ةَّ ي ِ ف خصَ و َ يِ ه ُ ة َ مَ دخ خَ ت خ س ُ مخلا ،َ ةَظ َ حَلَ ُ مخلا : ِ تَ نَا َ ي َ ب ، َ قي ِ ث خ وَّ تلا َ و ، ِ تَ نَا َ ي خ ب ِ ت خ س ِ لَا َ و ٍ ةَ نِ ي َ ع َ ع َ م ،ٍصخ خَش خَ تََ ئ ِ م َناَك َيِْ بي ِ جَ ت خ س ُ مخلا ُ دَ دَ ع . خ ل ِ جو ُ ج ِجَذوَُنَ َخ بَْ ع ِ تَ نَا َ ي خ ب ِ ت خ س ِ لَا َ عيِ ز خ وَ ت َ و ٍ ةَّ ي ِ سي ِ ئ َ ر ٍ تَ نَا َ ي َ بَك ا ً بي ِ جَ ت خ سُ م َيِْ سخَخَ خ وَأ ِ ةَ ئ ِ مخلا ِفِ َ نيِ رخشِ ع َ و ٍ ة َ سخَخَ ِ ة َ ب خ سِ نِ ب . ِ ةَ ني ِ د َ م ِفِ ُ ه َ ب ِ قا َ وَ ع َ و خ دِ ز ِلي ِ خلْا ىَ ل َ ع " ٌفي ِ ُ مُ ِجا َ وَّزلا" ِ ها َ ِ تُِ ا َ يرِ ثخ َ تَ َّنَأ ِ ثخ حَ بخلا ُ جِ ئا َ تَ ن ختَ ر َ هخظَأ غخ ن خ و ُ ب خ م َلَ خ رَ دخ ن َ ب . َ س َ وِ ب خ جخ ن َ راَك خ غخ نوُ خنَْ تَ ِفِ ً ةَّصا َ خ ،غخ ن خ و ُ ب خ م َلَ خ رَ دخ ن َ ب ِ ةَ ني ِ د َ م ِفِ خ دِ ز ِلي ِ خلْا َ نِ م ى َ مخظُ عخلا ُ ةَّ يِ ب ِ لا َ غخلا خ غخ نوُ خنَْ تَ َ و ،خلا َ خنِْ إ ، ِ ةَ ني ِ د َ مخلا ِ ط َ رَشَ تخ ن ِ ا يِ ذَّ لا ،" ٌفي ِ ُ مُ ِجا َ وَّزلا" َ ها َ ِ تُِ ا َنوُ فِ ر خ ع َ ي ، ِ ةَّ ي ِ ق خ رَّشلا خ جخ ن َ راَك ِ يِ عا َ مِ ت خ ج ِ لَا ِلُصا َ وَّ تلا ِلِ ئا َ س َ و َخ بَْ ع ٍيرِ بَك ٍلخكَشِ ب . ُ د َ جو ُ ي ِ قا َ و َ مخلا ِفِ ٌ ةَّ ي ِ جا َ و ِ دخ ز ِ ا ، ِ ةَّ ي ِ ئيِ بخلا ِ تا َ مَ دَّصلا َ و ، ِ ةَّي ِ دا َصِ تخ ق ِ لَا ِ طوُ غُّضلا ِبَ ب َ سِ ب ِجا َ وَّزلا َ نِ م ِ فخ وَ خلِْ بِ َنو ُ ر ُ عخشَ ي خ م ُ هُضخ ع َ ب : ِف ِ طََنَ َ و اًّ مِ ه ُ م َ جا َ وَّزلا ُ ِبَْ ت خ ع َ ي ُ ر َ خلآا خ م ُ هُضخ ع َ ب ُلا َ ز َ ي َلَ ا َ مَ ن خ ي َ ب ،ِ ر ُ خلا ِ ةا َ ي َ خلا . ُ ةَّ يِ ب ِ لاَغ ُلا َ ز َ ي َلَ ، ِ تا َ ها َ ِ تُ ِ لَِ بِ ِ رُّثَأَّتلا َ نِ م ِ مخغَّ رلا ىَ ل َ ع َ ج ٍلخكَشِ ب ُ هَل ُ يرِضخ حَّتلا ََّتَ اَذِ إ َ ة َ دا َ عَّسلا َ بِ ل خُ يُ خنَأ ُ نِكخُ يُ َ جا َ وَّزلا َّنَأ َنوُ دِ قَ ت خ ع َ ي َيِْ بي ِ جَ ت خ س ُ مخلا ، ِ ةَّ ي ِ لخ ق َ عخلا ِ ة َ ي ِ حاَّنلا َ نِ م ً ءا َ و َ س ، ٍ دِ ي ِوَأ َ مخلا ِوَأ ، ِ ةَّ ي ِ ف ِ طا َ عخلا ِ ةَّ ي ِ حوُّ رلا ِوَأ ، ِ ةَّ ي ِ لا . ُفِ ق خ و َ مخلا اَذٰه ُ سِ كَ ع ُ ي ،" ٌفي ِ ُ مُ ِجا َ وَّزلا" ِ ها َ ِ تُِ ا َ ها َ ُتُ ِعِ ئا َ رَّذلا ِ د َ س ِ روُظخ ن َ م ِفِ ا َ مَ ن خ ي َ ب َّطلا ِوَأ ِ يِ ر َ سُخلْا ِفخ ن ُ عخلا َ لخ ث ِ م ، ِ د َ عَ ت خ س ُ مخلا ِ خ يرَغ ِجا َ وَّزلا ِنَ ع ِ ة َ ِ تُاَّنلا ِ را َ رخضَخلْا ِبُّن َ جَ ت ِ ل َ رَذ َ خلا ِ قَلَ . ِ إ َ د خ ب َ م َ ع َ م ىَشا َ مَ ت َ ي اَذٰه َلَّ و َ حَ ت َ ي َلَ َّتََّ ح ِ هي ِ ج خ وَّ تلا َ و ِ مي ِ ل خ عَّ تلِ بِ ِفِ ق خ و َ مخلا اَذٰه ُ ةَ ن َ زا َ و ُ م ُ بِ َيُ ، َكِ لٰذ َ ع َ م َ و .ِعِ ئا َ رَّذلا ِ د َ س ٍ طِ رخ ف ُ م ٍ فخ و َ خ َلَِ إ . ِ ة َ ر خ سُخلْا ُ ر خ وَ د َ يُِ إ ٍ م خ هَ ف ِلي ِكخشَ ت ِفِ ٌّ مِ ه ُ م ِني ِ دلا ِ لا َ جِ ر َ و ِ مي ِ ل خ عَّ تلا َ و ِ لوُ ؤ خ س َ مخلا َ و ِ يِ حِ صلا ِجا َ وَّزل ِ ل ِ دا َ د خ ع ِ ت خ س ِ لَا َ و ٍ ِبا . ٌُةَّي ِ سي ِ ئَّ رلاٌُتا َ مِ لَكْلا : ِعِ ئا َ ر

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